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It has been used to edit feature films, such as Deadpool, Gone Girl, Captain Abu Raed, Terminator: Dark Fate and Monsters, and other venues such as Madonna's Confessions Tour. Also, in 2007, certain BBC departments adopted Premiere Pro. It is geared towards professional video editing, while its sibling, Adobe Premiere Elements, targets the consumer market.ĬNN was an early adopter of Adobe Premiere Pro.
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First launched in 2003, Adobe Premiere Pro is a successor of Adobe Premiere (first launched in 1991). and published as part of the Adobe Creative Cloud licensing program.
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In addition, version 4.0.1 includes numerous performance enhancements in all areas of the workflow.15.4.1 (August 17, 2021 12 months ago ( )) Īdobe Premiere Pro is a timeline-based and non-linear video editing software application (NLE) developed by Adobe Inc. Adobe Premiere Pro CS4 version 4.0.1 is architected to take advantage of the additional memory available in 64-bit systems.
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Faster performance and responsiveness, with full support for 64-bit computing platforms to accelerate compute-intensive post-production tasks.

To learn more about RED workflows with Adobe video solutions go to:
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In addition to downloading the RED plug-in, customer must update their software to Adobe Premiere Pro CS4 version 4.0.1 and Adobe After Effects CS4 version 9.0.1, accessible for free throughout the Adobe update manager in the Help menu of the applications.

Native RED R3D support: Both Adobe Premiere Pro CS4 version 4.0.1 and Adobe After Effects CS4 version 9.0.1 provide a true file-based workflow for RED R3D files, without transcoding or rewrapping, via RED's beta plug-in available at Native handling of RED R3D augments Adobe's existing support of Sony XDCAM EX, Panasonic P2, and AVCHD tapeless formats, providing users with software-only HD workflows from capture to output. Adobe Premiere Pro CS4 version 4.0.1 also includes enhanced AAF project interchange for improved integration with high-end workflows and tools. Customers can also streamline audio editing by exporting audio in OMF for interchange with audio workstations, and then importing the final mix back into Adobe Premiere Pro CS4. Project output can be delivered virtually anywhere, including exporting through Adobe Encore CS4 to Blu-ray, DVD, and the Web. To help users manage footage, Speech Search in Adobe Premiere Pro CS4 turns spoken dialog into text-based metadata that makes video searchable. Once files are in Adobe Premiere Pro CS4, features such as Adobe Dynamic Link provide tighter-than-ever integration when moving assets among Adobe After Effects CS4, Adobe Premiere Pro CS4, and Soundbooth CS4, saving invaluable time that would otherwise be spent in intermediate rendering. Final Cut Pro users can transfer projects directly to Adobe Premiere Pro CS4 version 4.0.1 without conversions or re-rendering, preserving commonly used effects and transitions. More flexible, open workflows: Editors who are using Final Cut Pro, Digidesign Pro Tools, and Avid solutions can now more easily tap the high level of integration and unique features offered in Adobe Creative Suite 4 Production Premium. Adobe Premiere Pro CS4 version 4.0.1 also offers significant performance and stability enhancements, including full support for 64-bit computing platforms to accelerate compute-intensive post-production tasks.įeatures in Adobe Premiere Pro CS4 version 4.0.1 include:

Adobe Premiere Pro CS4 version 4.0.1 enables users to import Final Cut Pro projects via XML interchange, export to Open Media Framework (OMF) format, and import and export projects in Advanced Authoring Format (AAF). Adobe Systems Incorporated has introduced Adobe Premiere Pro CS4 version 4.0.1 software, a major update to the leading start-to-finish professional video production solution.Ī pivotal component of Adobe Creative Suite 4 Production Premium, Adobe Premiere Pro CS4 version 4.0.1 leads the way in delivering open, flexible post-production workflows by providing virtually seamless project exchange with Final Cut Pro, Digidesign Pro Tools, and Avid workflows.
